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8 January 1836 – 25 June 1912. Most renowned painters.

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Antonio Cortina Farinos
Retrato de cuerpo entero del Dr D

ID: 78533

Antonio Cortina Farinos Retrato de cuerpo entero del Dr D
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Antonio Cortina Farinos Retrato de cuerpo entero del Dr D


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Antonio Cortina Farinos

February 16, 1841, Almassera, Valencia - November 6, 1890) was a Spanish artist.  Related Paintings of Antonio Cortina Farinos :. | Retrato del mesico Penella | Finales siglo XIX | Portrait of Farancisca Garcia de Mora Belenguer | Retrato de cuerpo entero del Dr D | A.C.Lopez de Ayala |
Related Artists:
George Hayward
1840-1870
Theodore Gericault
French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
Girolamo Forabosco
1604-1679 Italian Girolamo Forabosco Location Italian painter. He was active in Padua and Venice, where he was enrolled in the Fraglia dei Pittori between 1634 and 1639 and paid taxes from 1640 to 1644. His early work, such as the portrait of the so-called Menichina (1624; Rome, Pal. Barberini), was influenced by that of Alessandro Varotari (Padovanino), who had revived the style of Titian. He also adopted compositional and formal schemes from Tiberio Tinelli, as in the Portrait of a Woman. The large canvas of the Miraculous Rescue (1646; Malamocco, S Maria Assunta), commissioned by Giovanni Ventura as an ex-voto for his escape from a shipwreck, shows Forabosco, unconstrained by the narrative and devotional character premises of the undertaking, creating a tender portrait group, distinguished by its spontaneity. The most striking quality of his work is its combination of physiognomic exactitude with free, fluid brushwork.






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